Frequently Asked Questions

General

  • I'm based in Merchantville, NJ and primarily serve clients in New Jersey, Philadelphia, and the surrounding region. I'm also happy to travel for the right project, including internationally.

  • I work with architects, interior designers, contractors, and commercial clients across New Jersey, Philadelphia, and beyond. Projects relating to sustainable architecture and design, climate change solutions, and women-, minority-, or diversity-owned businesses are especially close to my heart.

  • Yes, let's discuss!

Pricing

  • Architectural and interior photography pricing varies depending on the scope of the project, the number of images requested, and licensing needs. My pricing reflects three categories of value: creativity, post-production, and photo usage. Creativity includes all pre-production and day-of activities. Post-production is extensive and usually takes at least as long as the shoot itself, often two or three times that. Photo usage considers how many people will see the images and how many parties benefit from them. I'm happy to discuss your project and provide a tailored estimate.

  • The best way to see savings is to take advantage of cost-sharing with other parties. The more parties that share the costs, the cheaper it gets for everyone. For more, see "What is cost-sharing?"

  • It's worth thinking about other parties who might benefit from photographs of your project: owners, interior designers, landscape architects, contractors, consultants, tenants, product manufacturers, engineers, and so on. To add a party, I add a licensing fee of 30% of the total shoot cost (minimum $300), then divide the total among all parties, which leads to significant savings for everyone. Cost-sharing must be arranged before the shoot begins.

Scheduling

  • As early as possible, especially if you have a specific date in mind. That said, most shoots can be scheduled fairly quickly. I recommend reaching out at least two weeks in advance so we have time to plan properly. Architectural photography often requires coordination around lighting conditions, styling, and project readiness. A signed agreement and deposit are required to reserve your shoot date and begin planning.

  • Architectural and interior photography is typically best scheduled once construction is complete and the space has been fully prepared. Furniture should be installed, landscaping should be mature when possible, and interiors should be styled so the design can be photographed at its best. That said, many projects operate on tight timelines, and with thoughtful planning we can still create strong images even if every detail isn't perfectly finished.

  • Weather is always a factor in architectural photography. Leading up to the shoot we monitor forecasts and will adjust scheduling if conditions look unfavorable. If weather changes during the shoot day, we work strategically to photograph interiors or sheltered spaces first and capture exterior architecture when conditions improve. In some cases, a brief return visit may be scheduled to get certain images in better light.

The Shoot

  • Most shoots can be planned through drawings, photos, and conversations with the project team. For larger or more complex projects, a location scout can be helpful to evaluate sun direction, access, and key viewpoints. If a scout would benefit your project, we can schedule one as part of the planning process for an additional fee.

  • Whenever possible, it's best to have someone available so we can collaborate on shot selection and make sure the images reflect the goals of the project. If that isn't possible, we can plan ahead with a detailed shot list and reference materials so the photography still aligns with your vision.

  • Yes. I tether the camera to a laptop during shoots so images can be reviewed in real time on a larger screen. This allows the design team and me to evaluate composition, styling details, and lighting as we work, making sure each photograph meets the goals of the project.

  • Many architectural photographs are created using a combination of natural light and carefully placed supplemental lighting. Off-camera flashes, light-shaping tools, and multiple exposures allow me to balance interior and exterior light while maintaining a natural look that reflects how the space actually feels.

  • Every project is different depending on scope, but shoots can be scheduled any time from sunrise to sunset to take advantage of the best natural light throughout the day. Early morning and late afternoon light are often ideal for exterior architecture, while interiors and shaded areas can be photographed at any time of day. Smaller projects may only need a few hours, while larger projects may require a full day or more. We work closely together to make sure there's enough time to carefully compose, style, and refine each photograph.

Deliverables

  • Most projects are delivered within two to three weeks after you select the photos to edit. This allows time for meticulous color correction, distraction removal, and professional retouching. If you need images sooner, please let me know during planning so we can discuss expedited delivery.

  • Every project is different. The number of final photographs will vary depending on the scope of the project and the complexity of each space, including factors like lighting conditions, styling adjustments, and the time required to craft each image.

  • At this time I specialize exclusively in still photography. By concentrating on photography rather than video production, I'm able to devote my full attention to crafting high-quality images for architecture, interior design, and commercial marketing.

License + Usage

  • All of my images are intellectual property and registered with the copyright office. I retain the copyrights to all the images I create. Images are licensed to clients for specific use and duration.

  • Yes. All commissioned shoots include 10 years of licensing for standard commercial use, including your website, social media, portfolios, and marketing materials. Outside publications such as third-party advertising or editorial features require a separate license.

  • Clients are welcome to submit images for press features and design awards. If a publication would like to independently publish the images, just have them reach out to me directly.

  • Only parties who have been licensed may use the images. Cost-sharing arrangements must be set up before the shoot begins, and each party signs their own licensing agreement. If another party wishes to use the images after the fact, they can contact me directly to obtain the appropriate license.

  • Definitely! Please include photo credit.